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When it involves this Jamaican-born, New York–based artist, the primary target is almost all the time how he makes haunting use of found materials—a disused hearse, tossed-out strollers, shoelaces, all employed to imbue old objects with new life. But for this retrospective, the focus will be how Ward’s sculptural installations contain performance-oriented elements that aren’t always immediately obvious. Central to the exhibition, which is ready to function new works, shall be a grouping of installations that Ward initially produced between 1996 and 2000 for Ralph Lemon’s Geography Trilogy, a group of dance items that discover how memories are communicated through… Read More
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